Quote from introduction: "When encountering illness or disease, we experience a loss of balance, strength and vitality. Contagion disrupts whole societies. Easy tasks become difficult or impossible. Those who are [...]
Mind nature is only ever known by itself. Not a thing, not an experience, not an otherness. Secret, silent, sacred.
A good friend asked today, "What do you mean by post-traditional?" So, as I started answering it became clear that for me this term has three distinct layers. A little background first, though.
Dharma is timeless, always just so. Its characteristics non-contingent. Its functions not limited to a particular time, place, situation, or culture. Dharma needs no reinventing. If anything, it invites a re/discovery which can only happen by and through awakening. Therefore, Dharma is also a practice, as well as a path.
Most of the last 12 months I've been reviewing the foundational texts of Shingon Buddhism, using available English translations for reference, adding some to my limited knowledge of Sanskrit and Chinese, and producing a Croatian translation of major works by Kobo Daishi Kukai,,,
We live among fragmented images, perhaps even as fragmented selves, thus the art of imagination often stands neglected. I want to look at – 1 – how creative imagination is important, 2 – how tradition provides good examples, and 3 – how we don't know what to do with what's available.